![]() When papers are made using the longest of fibres, Kozo, in combination with the neri it is possible to achieve papers that are thin and transluscent whilst retaining extraordinary strength. The substance also appeared to contribute to the sheet formation process and was later discovered to be hydrogen bonding, a process that occurs in all papermaking, causing fibres to adhere to one another during the drying out process.Gampi was not a cultivated crop so over the centuries papermakers found other sources of this substance now widely referred to as Neri. This slowing down of the draining allowed for the fibres to be agitated and intermingled for longer and evened out the thickness of the pulp layer. There is some historical speculation that early papermakers in Japan observed that Gampi fibres were giving off a viscous, mucous like substance that significantly impeded the draining of water from the paper mould. Gampi has long silky fibres that can create a thin, translucent and smooth tissue like paper. Kozo fibres are long and will create very strong and absorbent paper even when made thin and if dampened. ![]() Its intrinsic qualities of warmth, resilience and durability have seen it used in the manufacture of the widest imaginable range of products for both daily living, ritual and the arts.Traditional Japanese woodblock printing or moku hanga has for centuries utilised paper made from the inner bark of the paper mulberry tree kozo. Paper has played a significant role in Japanese culture for well over 1000 years. It is a delicate pale green colour with 4 deckle edges. The faculty will offer alternative assignments if conditions or illness prevent students from accessing our synchronous meetings, which will allow students to earn comparable credit.135946 Awagami Washi : Japanese Paper : Kitakata : 36gsm : 43x52cm : Single Sheet 3.0960 GBP InStock /Surface/Paper & Card/Sheets /Colour/Printmaking/Relief and Lino Printing/Paper /Colour/Printmaking/Paper /Colour/Printmaking/Relief and Lino Printing/Japanese Woodcut - Moku Hanga/Paper /Brands/Awagami Factory Japanese washi primarily composed of Gampi fibre (90%) with Alpha Cellulose (10%), Kitakata has a subtle gloss and a soft surface. are optional and additional that may provide a means of contemporary exploration of the traditional Japanese woodblock printing techniques to define a unique and innovative style of expression! Other materials such as watercolor, watercolor pencils, color pencils, etc. This will include traditional rice paper for printing, basic carving tools and sharpening stone, bamboo baren, brushes, palette, nori (rice paste), and black Sumi ink. Students will be required to purchase a basic supply kit that will be theirs to keep. ![]() Students should be prepared to invest 8-10 hours a week to complete all projects outside of class sessions. Students will learn wood carving, inking, and hand-printing with water-based ink from a simple home studio that only requires a table and water for clean-up. Through step-by-step demonstrations and video tutorials, students will be expected to take notes and work a-synchronistically (independent) during the week. ![]() Working in a collaborative manner, there will be opportunities to hold class critique sessions for peer review and also post to a class blog in Canvas. Regularly scheduled synchronous (together) virtual meetings will take place once a week. A computer and access to the internet are preferred but not required, a phone may be used to connect during class sessions, all assignments must be submitted for review at the end of the session attended. Assignments are supportive of the beginner to advanced student.Īll work will be conducted remotely, using Canvas and Zoom. This course is available for a full 10-week session earning 8 credits, or an introductory first 5-week session earning 4 credits. In this online-based summer program, traditional methods of Eastern printmaking will be explored through a Western lens. Subject matter will be open for the student to decide, and the technical process will be influenced by the historical practices of Japanese printmaking. Through investigation of printing techniques dating back to the Edo period (1603-1868) for the style known as Ukiyo-e, this class will explore and demonstrate a close appreciation of nature in the practice of art-making. Art and nature come together in this hands-on exploration of Mokuhanga printmaking, also known as Japanese woodblock printing.
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